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Reflective, distorted surfaces
create multiple layers of refraction and perspectival perversion
in the paintings of Ofill Echevarria. His work appears to produce
the effect of camera optics manipulating the photographic veracity
of figures in motion, architectural reflections, and fragments
of urban life. Actually, the effect is entirely invented by
the artist with paint, and it is successful due to the very
traditional means that inform every step of the process.A masterful,
if covert, composer, Ofill subtly, perhaps imperceptibly, rearranges
the world of the city until he achieves a new order of perceptual
reality, disclosing only that which contributes to his personal
aesthetic-his artistic interpretation of urban life.
Carol Damian
::Artist's CV
::Artist's Homepage
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