I discovered the subtle mysticism between
the relationships of the inanimate and the immaterial, its
ubiquitous, historical, and cultural sense, the distortion
of memories, the tendency to magnify them, to create a new
reality and still present them with a physical order in conjunction
with our visual logic, to illustrate the fictions and the
sceneries that our mind tirelessly continues to create and
recreate. This is, at this time, the fundamental direction
of my work.
