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Cuba Art New York
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Glexis Novoa

“I know of no greater cynicism in the history of art: someone who transform himself into a good painter with the intention of ironically dismantling the workings of the system, and yet taking advantage of it. He's a double agent, an infiltrator engaged in a multi-faceted game, because it is his “good” painting in itself that has made the most barbed criticisms on the rhetorical debasement of the means of communication in Cuba which gives a new edge to his work.”

“With both historically opposite elements Glexis puts together enormous altars, a summum of that dense plot or ironies and contra-ironies about art, culture and politics.”

Gerardo Mosquera

From: “The 14 sons of WilliamTell”, No Man is an Island, Pori Art Museum, Findland, 1990.

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