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In that sense Baruj uses color
and all its intense chromatism as a channel or filter (in the
manner of alchemists) to distill a world of a romantic nature,
but of a romanticism closer to Turner than to Corot. That which
Novalis called "the adoration of chaos" was based
in his belief that "the more impenetrable was the chaos,
so much more splendid was the star that would come out of it".
After seeing the storm scenes
of Turner, where color invades all, I can think that Baruj has
found in the cosmic explosions of his colors the original chaos
that allows the recovery of, as Jose Kozer tells us, “a
fundamental harmony”.
Carlos M. Luis
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